This sculpture presents a circular composition of Christian figures and themes. At the upper left, John the Baptist, successor to Elijah, appears in flowing garments that balance the welcoming angel at the upper right. At the middle left, Jesus greets children in front of the disciples, with a strong linear pattern emphasizing their closeness and leading the eye to more children in the distance; Judas is not included among the disciples. At the lower left, Mary, mother of Jesus, appears with a dove, her peace and anguish expressing the trials of every mother, and though she faces forward and away, her arms and face are drawn toward the crucifixion, as is the head of Judas at the lower right, creating compositional balance and a contrast in mood. At the bottom middle, four aspects of evil are shown: three soldiers on the left who passively follow orders, a large soldier raising a knife in active aggressive evil, a man looking up who represents Every Man as a witness through the ages caught in the journey of life to Golgotha, and a soldier at the right with an open hand who poses the question of evil and the guideline for it. At the lower right, Judas appears blind, lost, and wandering, alone except for a simple toad, with the movement of his garment flowing from the scene beneath the cross. At the middle right, an angel and a prostrate soldier stand before the tomb, while three cloaked figures float forward on their shelf of rock to witness the resurrection in a dreamlike blend of real and unreal space that moves the eye upward. At the upper right, an angel welcomes Christ to eternal life, completing the circle and balancing John the Baptist, while doves of peace add to the flow. Created by sculptor Kirk Newman, the work was made possible by Suzanne Shepherd and was first dedicated on Easter, 1989, to the glory of God.